Phantom of the Opera
Ah, the Phantom of the Opera.
I was so thankful for the chance to watch this opera yesterday night. When the ticket went on sale last October, I was still thinking about buying the ticket, partly because of the price and partly because I was thinking whether it was worth it, especially since the original 1986 Phantom and Christine, Michael Crawford and Sarah Brightman, have already stepped out of the stage, I wondered whether this show is still good enough to warrant such an expensive ticket. Time passed, and because I was still busy studying in JCU at that time, I eventually forgot about this Phantom of the Opera show.
But yesterday, the groove was there on the church when some of the people from the choir were talking about how they were going to watch the Phantom that night, especially Amel (although she was going to watch it the next Sunday, not yesterday). I was quite disappointed and rather hoping that I had bought that ticket. Curiousity got the best of me and I was wondering what was so good about this show that made it one of the best and most enduring shows in the world, having already ran more than 20 years in London and 18 years in Broadway.
The great chance came to me, though, at 7 pm, after the choir practice, when one of the people who had bought the ticket said that she could not come to the show and wanted to sell her ticket. In a sudden act of impulse, I instantly bought the ticket from her. It was quite expensive at S$130, but it was worth it because the seat was at the centre of the theatre and quite near to the stage, so I could see all the action and drama unfold before me very clear that night.
It was an amazing show of spectacle and music. If you’ve watched the movie version, let me tell you that everything they managed to do in the movie, it’s all there in here and performed LIVE. Even now I am still curious on some of the amusing tricks present in the show. Phantom appearing in the mirror in Christine’s room. Phantom disappearing in a flash of light during the Masquerade ball scene (truly, he was onstage at one moment, *poof* a blinding light, and he disappears in an instant). And the final scene where Phantom put his cape upon himself and disappears (different with the movie, here he just sits in the chair, covers himself, then Meg comes in, pulls the cape and nothing was there except the mask - it’s all in one scene, in the movie it seems easy because they can just cut the scene, the Phantom goes out and they film again, but here it’s all live and I couldn’t figure how could the Phantom just disappear like that).
The stage effects are amazing, they can change scenes instantly without needing to close the curtain. The background and the props just seem to move about and pop around from everywhere. Maybe they use some machinery or something, I don’t know, but it’s very amazing. The true spectacle was the Phantom’s lair where the smoke effects onstage plus the candles coming out of the bottom of the stage (yes, it seems like the candles just rise up from the FLOOR of the stage, but the smoke effects made it look like the candles are coming out from water) made it seem like the Phantom and Christine were really rowing a boat to Phantom’s lair. This is one heck of an opera where you’d think all this is magic. In the movie version, you won’t be amazed so much because you’d believe it was camera tricks and filming cuts, but when you see everything here performed live, including the effects (the Phantom hurls FIREBALLS, can you top that? And the fireballs felt hot, too!), you’ll just wonder how they managed to do that.
And yes, the music. The opera and the orchestra were amazing. You won’t ever want to watch the movie version again after watching this. You will instantly feel that Gerard Butler (the Phantom in the movie version) sucks. Butler seems to sing rock in the movie, not singing opera like the way the Phantom should, and he fails to hit those high notes. When you listen to the opera Phantom’s “Music of the Night” and “All I Ask Of You (Reprise)” you’ll immediately note the difference and feel THIS is how a real Phantom should sing. The notes for Phantom’s songs in the movie seems to be lowered from the opera version. Opera’s Phantom is a really high tenor who knows the high notes and reach them easily with falsetto, while the movie’s Phantom… well, the less said of him, the better.
All in all, one of the best and most memorable nights in my life. If you like musicals, you definitely gotta watch Phantom of the Opera at least once in your life. I know I’d want to watch it again someday. I was very lucky to be able to catch it in Singapore, so I don’t have to go all the way to London to Broadway to see it. The last time the Phantom tour was in Singapore was 15 years ago, so I wonder when I’d get the chance to watch it again…
Bravi, bravi, bravissimi~!!!










I have heard about Sarah Brightman maybe more than five years ago, but just now I finally listened to her and I’ve fallen in love with her singing. Truly one of the best sopranos in the world, maybe even the world’s best, though some fans of Celine Dion and others will argue.
Artist: Enya




